Showing posts with label busta rhymes. Show all posts
Showing posts with label busta rhymes. Show all posts

Friday, March 7, 2008

Top 10 Guest Verses of all Time

There's nothing worse than a plethora of featured artists ruining the flow of an album. However, on the flipside, there is also nothing better than a guest who just rips up a track. These performances really can boost an album, if used effectively. Consider it like having a good 6th man on the bench. You don't want him playing the whole game, but you want him to bring energy when required, to keep everyone on their toes. Who is the greatest artist at performing these feats (pun intended)? Probably Busta. That kat comes with energy and spits many of his best verses while featuring on tracks. But what are the greatest individual guest performances in the history of hip-hop? Here are ten that I think are ill, although of course everyone's list would be different. 2 Rules: no R&B jawns with female singers where a rapper is featuring to do the verse/verses; Ghostface appearing on a Raekwon track doesn't count as a guest verse.

1. Busta Rhymes (A Tribe Called Quest - Scenario)
This gotta be number one though, right? Everyone knows this verse. And not only was it hot, it was the first real introduction to many people of Busta Rhymes.
2. AZ (Nas - Life's a Bitch)
Again, everyone knows this shit. He just keeps flowing and spits knowledge after knowledge. For example: "In actuality, fuck whose the baddest / A person's status depends on salary" Oh, you flip-flopped the rhyme pattern in an illmatic way. That is fucking sick.
3. Ghostface (GZA - 4th Chamber)
An ill track, and an ill opening verse to it. "Why is the sky blue? Why is water wet? Why did Judas rat to the Romans while Jesus slept?" Who could forget that line? Or when he starts taking us through a history lesson, talking about the dark ages and Ghengis Khan and shit. This verse sets the tone, and the following verses live up to this first one. Mission accomplished.
4. Common (Blackstar - Respiration)
"It's deep, I heard the city breathe in its sleep / Of reality I touch, but for me it's hard to keep" And so ends one of the most amazing verses you'll ever hear. Common wraps up this classic song perfectly. Theres not much more to say other than that if you haven't heard this song you are fucking sleeping and should hear it prompto.
5. Dr Dre (Tupac - California Love)
Dre on a top 10 verses list? Word em up son. I put this here, cos it's hard to ignore. Everyone knows Dre's verse. There must be a reason. It is pretty ill. I don't care if it was ghost-written. Dre rides this beat expertly and really sets it up for Pac's 2nd verse assault.
6. Method Man (Notorious B.I.G. - The What)
You're the only guy to feature on one of the greatest hip-hop albums of all-time? You better fucking bring the goods. And there were no disappointments. Method Man probably showed Biggie up on this track, if anything...
7. Eminem (Jay-Z - Renegade)
Just like Eminem did on this track. It's just some incredible rhyming, all while really proving a point: fuck all ya'll hypocritical old cunts who lay blame at hip-hop (namely Eminem) for the world's problems. "And I got nothing to do but make you look stupid as parents / You fucking do-gooders: too bad you couldn't do good at marriage (ha-ha!)"
8. M Sayyid (Viktor Vaughn - Never Dead)
This is a great storytellin track. M Sayyid perfectly complements Viktor Vaughn's science-lab themed anecdotes. They tag-team their way through school bullies, time-travel and never-dead roaches in a short-story of epic proportions. And in the end, everything is just as it was at the beginning...my number 1 requirement for an ill short story.
9. Stricklin (Masta Ace - F.A.Y.)
This verse just makes you sit up the first time you hear it. "Wait, is he actually dissing himself? Did he just say the hip-hop lifestyle isn't all that? Um...is he admitting he is broke as fuck?" Yeah. He is. And it's refreshing. And Strick's style makes it all the more enjoyable to listen to.
10. Talib Kweli (Mos Def - Know That)
This is just tag-team fire right here. The beat is just begging for a guest to come and rip it up. And Kweli does just that. "MCs imitate the way we walk, the way we talk / you cats spit lyrically awkward, no spiritual thought / ...plus your flow a little bit off" That's just a line picked at random and it's fucking sick!

Wildcard 1: Nas & Lil Wayne (Rich Boy - Ghetto Rich (Remix))
This one is like double trouble. Or quintuple trouble...Polow da Don provides a stunning soundscape here, Rich Boy laces it quite nicely, John Legend croons out a beautiful hook...and then (on the remix) here comes Lil Wayne. It's one of them serious Weezy verses. "I could never never win an Oscar, cos I don't know how to act / Saw my first million dollars, and I don't know how to act / Then the second million came, then more came after that / then more came after that...hurricane after that...Dayum! / And ya'll saw the aftermath, and in my hood we don't front so I do give back..." etc. And then Nas has an ill verse that just fits the melancholy introspective beat so well. "Then the homies on the block with the stacks of money / Then these beautiful bitches was bending backwards for me / The lames put the rap game in the casket slowly [sound of casket closing] / Man I don't give a fuck...this is rap to me"
Wildcard 2: Outkast (UGK - International Playa's Anthem)
Both Andre and Big Boi bookend this UGK hit, and they both come with some great shit on this track. Andre is genius: "Then I CCed every girl that I'd see see around town." While Big Boi let's it rain on those ladies living nicely off child support: "Better prepare ya for the C support / She supposed to spend it on that baby but we see she don't...Send her in to outer space, I know he wish he could / Cuz he payin' 20K a day, that bitch is eating good"

Saturday, May 12, 2007

Top Ten Dr. Dre Tracks

Dre: likes nothing more than being behind the boards

It's time for another top 10 post. I was just listening to all the tracks I have produced by Dr. Dre. So I thought I'd do a top 10 Dre-produced tracks.

10. My Name Is
I'll put this here cos it was a completely new style for a new artist. On every album Eminem has released, he always has a lead single like this, with playful Dre production, where Em is just crazy. Tracks like this show Dre's versatility and show that he can change up his style depending on what the artist is attempting to achieve.

9. Break Ya Neck
Just a fucking great production. Creative and banging...perfect for some ill Busta-ness over.

8. How We Do
Word. A slower jam, it bumps nonetheless. 100% pristine production. 100%.

7. Family Affair
What? R&B?!?! Of course this has to be here. Get the fuck out of here if you disagree. That beat is mad. The orchestra notes fit in so well and are catchy as hell. Really gives a nice bounce to an R&B song which I find is too rare these days. You can't help but nod your head to this shit. Really set it up for some ill singing from Mary J.

6. In Da Club
I'll put this here cos it's probably the biggest song of the millenium. It launched not only a career, but a whole Unit's career. Simplicity at its best. Dre defined the new millenium club banger right here with this one song. Others have tried to duplicate this template. But the original is the best. Again, Dre utilizes Orchestra instruments extremely well.

5. Still D.R.E.
Over a keyboard riff kindly supplied by Scott Storch and a funky bassline from Mike Elizondo, what did Dre really do here? Well, first he recognised that shit could be a worldwide hit. Then he added those cool little guitar lines at the end of every stanza, and made the drums bang. Bang...a classic beat is produced.

4. California Love
Perhaps the best known song in the current era of music to utilize the Talk Box, Dre enlisted Roger Troutman (R.I.P.) of Zapp to sing this one. Yeah yeah EPMD already used Joe Cocker's "Woman to Woman" but come on...Dre made it a worldwide hit. The synths and shit he added on top...and the Talk Box effect, are what set this song apart. Peace to EPMD though, but that's what Dre does.

3. Who Am I? (What's My Name)
The incredible synth bass line in this track is impossible not to love. Originally created by Funkadelic, it was seemingly genetically engineered to get people grooving. Add some hand claps, some Snoop and some Atomic Dog and you got the best track on one of the best albums of the decade. Not bad, that...

2. Fuck Tha Police
This song will always be remembered. DJ Yella and Dre produced this for N.W.A.'s "Straight Outta Compton" in 1988. I think it was way ahead of it's time, production wise. The bass hits hard. For that era, the sampling quality is crazy. It was not uncommon to sample James Brown's "Funky President" at the time butDre used it better than anyone else...

1. Nuthin but a G Thang
Number 1, without a doubt. It's too chilled. It affects you know matter if its the 1st, 10th or 1000th time you've heard it. Snoop comes effortless on this...and it's hard not too, so chilled is the beat. Just reminds of the beach...reminds you of L.A. Dre really captured a mood here and this will forever be one of the greatest hip-hop tracks of all time.